“Everything in moderation, including moderation,” it is sometimes said.
At Aska, the recently reopened Williamsburg shrine to alchemical Nordic
cuisine, the only real immoderation is the sheer amount of coyly
inventive food. In place of the usual crescendo of fine-dining tasting
menus—a few seafood skirmishes followed by revelatory red-meat
battles—there is a procession of intricate tactical maneuvers, nineteen
courses that span sea, field, and forest. Here is the lichen turned
crouton; here, the squid turned tartlet. For a while, this gentle
sleight of hand is fun. Then, all at once, it is wearying.
. . . .The new dining room is nearly unlit, and
the round tables are heavy, immense, and draped in black tablecloths.
The vibe is best described as hipster funeral.
|
“Or we could just order in?” |
Some
dishes stand out against the gloaming. Take the seaweed known as
bladderwrack, which when Googled brings up images of tablets meant to
cure indigestion, but here was served in its long, tendrilled natural
form — quick-fried into a chip, and kissed with blue-mussel cream. A
bakery’s worth of bread and cultured butters nearly earned its place as a
standalone second course, thanks especially to the Manitoba, a
high-protein mini-loaf made yeasty by an infusion of I.P.A. And kudos to
whoever figured out how to compress kohlrabi so that it becomes as firm
and juicy as a water chestnut, and then draw out its flavor with
cucumber dust.
Yet the kitchen’s
attempts at drama tend to repeat themselves. Cannibalism seems a central
theme: king crab swam in king-crab consommé, and a skate wing sat in
skate-wing sauce. A pile of incinerated lamb heart, served over a pad of
rendered lamb fat, was something of a choking hazard (
aska
means “ash” in Swedish). Thankfully, a pig’s-blood pancake was heavy
enough not to merit an additional bloodbath, but a birch-wood ice cream
took its sylvan motif to extremes, studded with mushrooms that were
variously candied, dehydrated, or meringued.
– The New Yorker, February 27, 2017
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